![Endeavors-of-a-Vendor.jpg](/image/12912772.1738021517000/Endeavors-of-a-Vendor.webp)
Endeavors of a Vendor
Height: 24" x Width: 18" | Material(s): Canvas, Acrylic Paint | Process(es): Ultramarine Blue underpainting to establish values, block in colors, then added in details | Citation(s): Based on my own imagination, observations, and references | Idea(s): I found acrylic paint was a better medium to convey colors through its fluidity and vibrancy | Curatorial Note: This is an extremely powerful image on many levels that is also just a beautifully crafted painting.
Long Do
What did you do to improve your 2-D, 3-D, or Drawing portfolio skills?
Throughout the year of developing my portfolio, I focused on refining my painting skills and really wanted to push myself further by going out of my comfort zone. I explored the various ways I could manipulate the paint to achieve different outcomes through experimenting with different colors, artistic styles, and brushstrokes. I also seek inspiration from other artists, exposing me to different techniques that I can incorporate into my artwork to help me learn new skills and further challenge myself as an artist. As I constantly evolve from new discoveries, it gives me a fresh perspective on things that contribute to my growth and enhance my artistic endeavors.
Describe the critique practices and feedback you received in AP Art and Design.
During the process of making the artwork, I would ask for feedback from my teacher and friends to get a second opinion on it to see how I can improve on it. This might be the scale of the work, color palette, or style of it. Getting feedback can be really helpful as they can see something you can't, allowing you to see details you might've overlooked and giving you areas for improvement that will contribute to your growth as an artist.
How can I capture the vivid memories of Vietnam and translate them through a spectrum of colors? When revisiting my memories of Vietnam, I always have seen it as a dynamic and vibrant place to me, characterized by its scenery and people. Throughout my portfolio, I experimented with colors to capture the essence of Vietnam's beauty.
In what ways did your artmaking confidence increase in AP Art and Design?
Taking AP Drawing gave me a foundation, guiding me through the process of combining ideas, inspirations, and creativity into pieces of work that I can truly be proud of. Through each creation, my skills were evolving, and as I continued I founded my rhythm, all of which contributed to my confidence and motivated me to continue building my portfolio.
How did you modify or revise your artmaking direction based on feedback?
From the feedback, I would identify the areas I could fix, and from there, I would experiment with ways to incorporate the feedback and improve on them. At times, I would use my sketchbook to test out changes without making permanent markings on the final work.
Endeavors of a Vendor Detail
![Charles-Berlin-Teacher-Headshot.jpg](/image/12912867.1738022537000/Charles-Berlin-Teacher-Headshot.webp)
Charles Berlin
White Station High, Memphis, TN, USA
Art Teacher
Teacher Statement
Teacher Statement
What formative and summative assessments helped guide your students through your AP Art and Design curriculum?
We view the archived AP Art and Design portfolios and discuss the choices student artists have made. We also view the College Board archive of AP Portfolios and discuss concepts viewed there.
What creative programming (i.e., exhibit spaces, mentoring programs, curricular supports) have you implemented to support AP Art and Design students?
We participate in all the local Fairs and shows designed for teenage artists, including Scholastic Art and Writing Awards. We typically have several school art shows. Student Long Do is an avid participant in all of these opportunities.
What did you learn from working with your student?
The amazing technical proficiency Long Do displays through his palette and value structure is inspiring.
![Endeavors-of-a-Vendor-Process.jpg](/image/12912865.1738022226000/Endeavors-of-a-Vendor-Process.webp)
Material(s): Mix media sketchbook, acrylic paint, pen | Process(es): SKETCHBOOK: Experimentation of underpaintings and acrylic glazing, and establishing contrast | Citation(s): Based on my own imagination, observations, and references | Idea(s): I found acrylic paint was a better medium to convey colors through its fluidity and vibrancy | Curatorial Note: WONDERFUL sketchbook example!
![Long-Do-Digital-Signature.jpg](/image/12912866.1738022626000/Long-Do-Digital-Signature.webp)
Long Do