AP 2-D ART AND DESIGN
Yu-Lei Tseng
Broken Court
Kang Chiao International School, New Taipei City, No. 800, Huacheng Rd, Xindian District, New Taipei City, 231

Height: 16.5'', Width: 23.3'' | Ideas: selfish volleyball leader | Material(s): charcoal, brown paper, Hot-Melt Adhesives, sketch pencil, Acrylic, Tracing Paper | Process(es): Selfish volleyball team captain jumping and wants to spike, contrasted by incomplete teammates.
Use of Digital Tool(s): photoshop copy tools for looping head. | Citation(s): Reference from google | Curatorial Note:
This multilayered, complex piece explores the emotional dynamics of high school through the lens of a selfish volleyball leader. It captures both the chaos and intensity of the sport, as well as the deeper, often conflicting emotions that play out beneath the surface. The artist’s use of layering, surreal imagery, and spatial distortion powerfully conveys how individual ego can distort a shared experience.
STUDENT STATEMENT
What inspired you to choose the inquiry (big idea or question) for your Sustained Investigation?
Self-confidence was the first term to appear on my mind map, but as I went over my thoughts repeatedly, I noticed how personal this word was and its meaning to my life. I chose this inquiry because confidence has always shaped my own engagement with challenges, my own self-expression, and my ability to connect with another person. As I continued to think and write, I came to understand how confidence could easily transfer, depending on external factors such as whom you are in collaboration with, negative feedback, or opportunities for building confidence. This original thought led me to understand the nature of self-confidence as both an internal belief and as something that changes by the context and the people around me. Through ongoing inquiry, I describe the weak balance between self and social accountability and how confidence can be forged through conflict and recovery.
How did your inquiry change, grow, or shift as you created more artwork?
Broken Court is the result of exploration about the impact of conflict and inequality within relationships and how they affect our identity and experienced relationships. This work communicates my personal struggle with confidence while playing volleyball, as well as how a power imbalance within a team can transform an experience from one of collaboration and friendship to one of isolation and loneliness. It is a depiction of a volleyball match, where I include surreal and mixed-up imagery that highlights the tension of playing with a selfish captain. The exaggerated smile, broken limbs, and sketched movements of playing the game evoke emotions of dominance, accusation, and pressure, while the faces simultaneously depict the players chaotically. They are disjointed and disconnected as teammates and collaborators. By integrating athletic imagery and visual metaphors that throw off the story, I address how spaces designed for learning and positive growth can become instruments of control and cultivate self-doubt.
In what ways did your art teacher support your growth as an artist?
My art teacher has been essential in helping me develop as an artist by prompting my critical and intentional thinking about the components of my work. She encouraged me to reflect on whether the choices I made in composition, materials, processes, and symbolism influenced the ideas I aimed to convey. This practice developed a habit of questioning and refining visual options rather than simply making art without intention. She also emphasized being an innovative problem-solver and a thoughtful thinker, and she pushed me to do things, to take risks, and to evaluate the outcomes. I learned how to express my thoughts to the viewer better through conversations with my teacher and getting feedback on my work, as well as to connect meaning and visual form. Additionally, she asked me to research art with different styles and concepts that expanded my perspectives on new ways of conveying emotion and meaning. She guided me away from the process of only making art to thinking like an artist—for example, intentional, analytical, and self-aware in the creative process.
I am easily influenced by other people's views and full of insecurity.
How did your school leaders (like your principal, assistant principal, or counselor) support you as an art student (for example, visiting your class, attending art shows, or talking with you about your goals)?
My leaders in the school community supported my growth as an artist by creating opportunities for growth and by having my work acknowledged. They organized school art exhibitions and were able to share my work with a larger audience, thus bringing me to a place where I felt comfortable sharing my voice and my process. I believe these experiences and events were important because I felt that the art I created was important to my community. In addition, my leaders facilitated field trips and workshops that connected me to new media, materials, and experiences outside of the classroom. Through those experiences, I learned how professional artists position themselves through their work and the way art communicates ideas within diverse cultural and social contexts. My counselor was also supportive through our discussions about art and future goals and aspirations throughout our time together, while also helping me work through my portfolio and helping me to clarify pathways to creative careers. The encouragement from my leaders added to my growth not only as a student but also as someone who can be regarded as an artist who feels supported and inspired to improve.
What advice would you share with future AP Art and Design students about developing an inquiry?
I would advise any future AP Art and Design students to select an inquiry that feels genuinely personal and is open enough to develop along with you throughout the year. Avoid topics that are too narrow or superficial because your ideas need space to form and change over time as you grow your practice and address symptoms and constraints. Start with something that you can connect to personally—a possibility from your own experience, beliefs, or emotions. When the art topic has a personal connection, your artwork becomes more meaningful and more engaging. For example, this past year, I selected my Sustained Investigation on self-confidence. That inquiry provided layers of meanings to excavate, from feelings to social environmental acts. Most importantly, I learned you have to believe in yourself; confident artists will take creative leaps and push ideas further, even when things don’t feel like they are going well. The AP Art experience is about more than just developing a strong body of work; it is about finding your artistic voice and honoring your own personality.
TEACHER STATEMENT
Jeannette Engelbrecht
Visual Arts teacher and Visual Arts Subject Group Coordinator
Kang Chiao International School: Xiugang Campus
How often did your class meet?
The class met for a total of five 45-minute periods a week.
How did you guide students in developing and refining their inquiry statements and portfolio direction during their Sustained Investigations?
I guide students in developing their inquiry statements by first modeling the process myself. I demonstrate how a single, personally meaningful idea can expand into a mind map, branching into new directions and evolving into more resonant concepts. Students then create their own maps and refine them to ensure their ideas connect authentically to their experiences and interests. From there, I help students generate open-ended inquiry questions and encourage them to test these questions through quick sketches, experiments, or research. For example, Yu-Lei began with a theme centered on self-confidence and used her mind map to explore when, where, and how she was most affected. While volleyball might have been expected to build her confidence, the subtle pressures and underlying dynamics within the sport made her question it instead, and her investigation grew into artwork rich with meaning and symbolism. Through modeling, feedback, and guided refinement, I support students in shaping inquiries that are both personal and purposeful.
How did you help students strengthen technical skills and apply design knowledge (elements and principles) while also developing creative problem-solving habits?
Students are assigned research projects to strengthen both their technical and theoretical knowledge. They evaluate information critically and apply what they have learned in subsequent artworks. At the same time, they are encouraged to push beyond these foundations—experimenting with creative compositions and discovering unexpected solutions, as demonstrated in Yu-Lei’s work. Each project involves extensive media exploration, with emphasis placed on the thoughtful selection of materials and processes that best support and enhance their ideas in meaningful ways.
How did you scaffold writing into students’ art making and thinking processes?
From the very beginning, each artwork is accompanied by a written statement in which students summarize their investigations and artistic intentions. By limiting the character count, students practice expressing their ideas in a concise yet meaningful way, strengthening their ability to communicate with clarity and purpose.
In what ways does your school leadership support AP Art and Design students and the broader art program?
The leadership at our school supports students by providing access to a wide variety of media and materials, opening opportunities for the synthesis of processes, materials, and ideas. Field trips and workshops further enrich their experience by exposing students to specialized techniques demonstrated by experts in the field. In addition to our in-school art gallery, where exhibitions are held throughout the year, the school organizes an annual public exhibition at an external venue. Students actively participate by presenting their work and sharing their ideas with visitors. The school also encourages collaboration with clubs and committees, allowing students to contribute their skills to real-world needs ranging from designing logos to creating promotional material so that they can apply their artistic abilities in meaningful and practical ways.
What advice would you offer to other AP Art and Design teachers?
One piece of advice I’d give other AP Art and Design teachers is to keep a clear schedule with weekly deadlines, since breaking the Sustained Investigation into smaller checkpoints helps students stay focused and less overwhelmed. I make it a habit to constantly revisit the course objectives, reminding students that their work should be inquiry-driven, personally meaningful, and refined through experimentation and revision. Encouraging short bursts of writing helps them clarify their intentions, while a strong critique culture teaches them to give and receive feedback constructively. I’ve also found it essential to be honest and mindful in offering feedback, while ensuring it supports their vision rather than overriding it. Balancing freedom with accountability keeps them both creative and grounded, and providing opportunities to share their work publicly through exhibitions, online showcases, or community projects helps them see their art not just as an assignment, but rather as part of a larger conversation.

Yu-Lei Tseng

